Article provenant du Devoir.
"Apr猫s un orchestre constitu茅 des meilleurs 茅l茅ments des Conservatoires de toutes les r茅gions rejoints par quelques glorieux dipl么m茅s (le 12聽octobre 脿 la Maison symphonique) et apr猫s l鈥橭rchestre de l鈥橴niversit茅 de Montr茅al, samedi 14聽octobre, il 茅tait tentant d鈥檃ller entendre une semaine plus tard l鈥橭rchestre symphonique de 平特五不中.
Original article from Classical Guitar Magazine.
"Montreal is rightly known for its many beautiful historic buildings, authentic French character, ice hockey, indie-rock bands, bagels, and even its smoked meats鈥攂ut much less so for its classical guitar scene. Yet, through the years this vital Canadian city has developed some amazing local guitar players and composers, attracted devoted teachers and visiting legends, and nurtured a large and enthusiastic audience with a taste for virtuosos, thus inciting more and more youngsters to pick up the instrument."
Next Wednesday, October 25, a joint choir concert will feature two generations of musicians performing music that combines new and old elements.
Excerpt from CBC Radio Ideas with Paul Kennedy.
"There's a purity to music. It takes us into its own world, far removed from frustrations and challenges of daily life. But hidden within those innocent-sounding musical flourishes, there often lies a history of passionate disagreement.
Excerpt from the Montreal Gazette.
"The OSM has unveiled a 13-member selection committee to find a聽replacement for Kent Nagano,聽who leaves as music director in 2020. 平特五不中 principal Suzanne Fortier is chairperson. Former OSM managing director Zarin Mehta is titled senior adviser, which means writers will be relieved of the need to call him an 茅minence grise."聽
Blog post by Chris Maskell. Photo by .
After winning the 2016-2017 平特五不中 Concerto Competition and completing his Graduate Diploma in Performance at Schulich, harpist Antoine Malette-Ch茅nier is set to appear with the 平特五不中 Symphony Orchestra next Friday and Saturday night. To learn more about the work he鈥檒l be performing and his experiences learning music in school and more, we spoke to Malette-Ch茅nier in a recent email exchange.
An excerpt from a 平特五不中 Reporter article.
"鈥淚t was my crazy idea,鈥澛燡ohn Grew聽observed at the start of a conversation about what is now the only North American-based international pipe organ competition. 鈥淚n North America, we are unique.鈥�
Excerpt from an article from the Edmonton Journal.
"Chances are you don鈥檛 think about the microphone stands used to record your favourite tunes. It鈥檚 part of Johnston鈥檚 role to make sure that you can just sit back and enjoy the music, and to train others to reach for those same high standards.
The work is all tied to a recording diploma and hopefully 鈥� subject to government approval 鈥� the first full-scale, four-year recording degree in Canada."
Paul Johnston completed a BMus in jazz and MMus in sound recording at the Schulich School of Music.
An excerpt from an Ottawa Citizen article.
"Montreal alto saxophonist Benjamin Deschamps ventures across the border later this week to play three Ontario concerts 鈥� Sept. 29 at the Jazz Room in Waterloo, Sept. 30 at Record Runner Rehearsal Studio in Ottawa and Oct. 1 at the Emmet Ray in Toronto.
Before Deschamps, a bracing player and composer who is 29 years old, starts logging the kilometres with his quintet, get to know him and his music through the interview below."
An excerpt from CUTE 2017: Numediart Masterclass on Culture and Technology:
An excerpt from an article by the County聽Weekly News:
Blog post by Chris Maskell
Blog post by Chris Maskell
This article was published in the Financial Post on September 8, 2017.
"Matthew Boerum is co-founder and CEO of Audible Reality, Inc., a developer of a 3D software solution that creates an immersive experience for anyone using headphones. With Audible Reality, users can experience another person鈥檚 voice or music as if they were in the same room.
(Blog post by Chris Maskell)
In today鈥檚 music industry, many artists find that they have to diversify their sources of income in order to make a living 鈥� some may teach, repair instruments or work in music media. To reflect this, many post-secondary music schools are diversifying their curriculums to offer classes that teach skills from these areas 鈥� such as the courses that make up the new Music Entrepreneurship minor at the Schulich School of Music.
