鈥�The Transparent Society: Is the Liberation of Differences still what the 21st Century Needs?,鈥� Journal of Italian Philosophy 4 (2021): 41-51. [pdf.]
鈥淚suma, the Planetary, Listening and the Reinvention of the Counterpublic Sphere,鈥� in , ed. Bill Balaskas and Carolina Rito (Open University Press, 2021), 73-95.
鈥淪arah Sze鈥檚 The Last Garden and the Temporality of Wonder:鈥� in Time in the History of Art: Temporality, Chronology, and Anachrony, ed. Dan Karlholm and Keith Fleming Moxey (New York and London: Routledge, 2018), 205- 220.聽View text [.pdf]
鈥溾�楴ot Directed Toward Anyone鈥�: The Indifference of a Situation or, Perception under Influence鈥� in Perception and Agency in Shared Spaces of Contemporary Art, ed. Cristina Albu and Dawna Schuld (New York and London: Routledge, 2017), 211-222.聽View text [.pdf]
鈥淭he Participatory Condition: introduction,鈥� co-written with Darin Barney, Gabriella Coleman, Jonathan Sterne and Tamar Tembeck, in The Participatory Condition in the Digital Age, ed. Darin Barney, Gabriella Coleman, Christine Ross, Jonathan Sterne and Tamar Tembeck (Minneapolis: University of Minnesota Press, 2016), vii-xxxix. View text [.pdf]
鈥淭he Spreadability of Video,鈥� in Abstraction in Video, ed. Gabrielle Jennings (University of California Press,聽2015). View text [.pdf]
聽鈥淎n Aesthetics of Inhabitability,鈥� in Mark Lewis Filmworks, eds. Hamid Taieb and Fran莽ois Bovier (Geneva: MetisPresses,聽2015). View text [.pdf]
鈥淭he Cloud in Video: Notes on Isabelle Hayeur鈥檚 Aftermaths,鈥澛燛space, 2015. View text [.pdf]
鈥淭oucher l鈥檃utre: une histoire de surfaces corpo-茅lectroniques,鈥� in聽Mona Hatoum, ed. Christine Van Assche (Paris: Centre Pompidou, 2015).聽View text [.pdf]
鈥淎pr猫s la vid茅o,鈥� Revue 24 Images, 2014. View text [.pdf]
鈥淭he Movement of the Image. Vitality in Olivia Boudreau鈥檚 Media Production鈥� in聽L鈥檕scillation du visible. Olivia Boudreau, ed. Mich猫le Th茅riault (Montreal: Leonard & Bina Ellen Art Gallery, 2014).聽View text [.pdf]
鈥淒epression,鈥� in聽Encyclopedia of Aesthetics聽(Oxford University Press), 2014.聽View text [.pdf]
鈥淗istorical Time Ecologized,鈥� Esse, 2014.聽View text [.pdf]
鈥淢ovement That Matters Historically: Janet Cardiff and George Bures Miller鈥檚 2012 Alter Bahnhof Video Walk,鈥� Discourse: Journal for Theoretical Studies in Media and Culture [special journal issue: Moving (with) Images: Gender, Affect, and the Senses], eds. Martha Zarzycka and Bettina Papenburg] Spring 2013/Spring 2014. View text [.pdf]
Contemporary Art Between Time and History. Montreal: Mus茅e d鈥檃rt contemporain de Montr茅al, 2013. Brochure [.pdf]
鈥淣ew Screens Beyond the Screen:聽The Spatial Distribution of the Image in Augmented Reality Art.鈥澛� T. Trodd, ed. Screen/Space: The Projected Image in Contemporary Art (Manchester University Press 2011): 184-205. View text [.pdf]
"R茅p茅tition et longue dur茅e ou, la syntaxe de l'installation vid茅o chez Stan Douglas." J茅r么me Game, ed. Le r茅cit aujourd'hui: arts, litt茅rature (Presses Universitaires de Vincennes 2011): 137-160. View text [.pdf]
"Experimental Video in Canada and the Question of Identity." Anne Whitelaw, Brian Foss and Sandra Paikowsky, ed. The Visual Arts in Canada: The Twentieth Century (Oxford University Press 2010):聽393-411. View text [.pdf]
鈥淪patial Poetics: The (Non)Destinations of Augmented Reality Art, Part I.鈥澛� Afterimage, (September/October 2010): 19-24. View text [.pdf]
鈥淪patial Poetics: The (Non)Destinations of Augmented Reality Art, Part II.鈥� Afterimage, (November/December 2010): 16-20. View text [.pdf]
Precarious Visualities: New Perspectives on Identification in Contemporary Art and Visual Culture. Montreal: 平特五不中-Queen's University Press, 2008. Introduction [.pdf] Chapter 13 [.pdf]
"The Suspension of History in Contemporary Media Arts." 滨苍迟别谤尘茅诲颈补濒颈迟茅蝉 11 (Spring 2008): 125-148. View text [.pdf]
The Aesthetics of Disengagement: Contemporary Art and Depression. Minneapolis: University of Minnesota Press, 2006. Introduction [.pdf]
"New Media's Presentness and the Question of History: Craigie Horsfield's Broadway Installation." 颁颈苍茅尘补蝉 17 (Fall 2006): 37-56. View text [.pdf]
"The Temporalities of Video: Extendedness Revisited." Art Journal 65 (Fall 2006): 82-99. View text [.pdf]
"New media art hybridity and augmented reality: a process for the interaction of art, (neuro)science and AR technology." Convergence 11 (2005): 32-42. View text [.pdf]
"The Disappearing Screen: An Incomplete Matter." Parachute 113 (2004): 15-29. View text [.pdf]
"To Touch the Other: A Story of Corpo-Electronic Surfaces." Amelia Jones, ed. The Feminism and Visual Culture Reader (Routledge 2003): 514-519. View text [.pdf]
"The Insufficiency of the Performative: Video Art at the Turn of the Millenium." Art Journal 60 (Spring 2001): 128-33. View text [.pdf]
"Pipilotti Rist: Images as Quasi Objects." n. paradoxa 7 (2001): 18-25. View text [.pdf]
"Contemporary Knots: The Videography of Manon Labrecque." Parachute 103 (2001): 107-127. View text [.pdf]
"Vision and insufficiency at the Turn of the Millennium: Rosemarie Trockel's Distracted Eye." October 96 (Spring 2001): 87-110. View text [.pdf]
"Redefinitions of abjection in contemporary performances of the female body." Res 31 (Spring 1997): 149-156. View text [.pdf]