The 平特五不中 Visual Arts Collection holds an extensive selection of Canadian artworks,听including works by members of the Group of Seven, The Canadian Group of Painters, the Royal Canadian Academy, the Painters Eleven, The Beaver Hall Group, and the Automatistes.
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British-Canadian painter Arthur Lismer (1885-1969) was听one of the original members of the Group of Seven, a听collective of painters of the early 20th听century which sought to give a distinctive national voice to Canadian painting.
After studying art at the Royal Academy of Fine Arts Antwerp in Belgium, Lismer immigrated to Canada. His depictions of ships and waterscapes of wartime Halifax, Nova Scotia brought him recognition as an artist. In the 1920s, he moved on to the unique style of the Group of Seven, which consisted of painting the rugged wilderness regions of Canada in a dynamic, bright, tactile, and expressionistic manner. Lismer taught at the 平特五不中 School of Architecture from 1943 to 1955. The Visual Arts Collection holds a number of landscapes, portraits, and sketches by him.
The subject of this painting, Georgian Bay 鈥揳 large bay of Lake Huron, located within the province of Ontario鈥� was a popular subject amongst members of the Group of Seven. In this painting, Lismer captures the drama and stoicism of the rock formations and subtly contrasts it with the permeability and movement of the water.
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Marian Dale Scott (1906-1993) was a Canadian painter from Montreal. She studied at the 脡cole des beaux-arts de Montr茅al as well as at the听Slade School of Fine Art of University College London and was a member of the Canadian Group of Painters. In 1973, Scott was elected to the Royal Canadian Academy of Arts.
Endocrinology was specifically created for the Strathcona Anatomy and Dentistry Building here at 平特五不中. It offers a look into endocrinological research by depicting a male figure 鈥搇ikely a researcher鈥� reaching toward the nucleus of a radiating spiral surrounded by various organisms, namely bodies and abstract cell-like organic forms. The piece, a first step towards abstraction, marked a turning point in Scott鈥檚 practice. In 2017, Endocrinology听was part of the virtual exhibition 150 Years | 150 Works: Canadian Art as Historical Act, which presented art as an integral part of Canada鈥檚 social and political听history.
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Marcel Barbeau (1925-2016) was a multidisciplinary artist from Montr茅al whose work was characterized by non-figuration as well as by motion in its various forms: movement, the passing of time, and the future. He was one of the original signatories of the political manifesto听Refus global听as well as an active member of the group the听Automatistes,听a collective of Qu茅b茅cois artists who believed in the communication of subconscious emotions through sensory experiences.听Barbeau was awarded the title of Officer of the Order of Canada in 1995.
Fen锚tre sur l鈥檃venir was commissioned by General Electric Canada in 1992 for the 350th anniversary of the city of Montreal. The painted steel sculpture is composed of both angular and curvaceous lines. It forms a set of three nearly trapezoidal shapes that听resemble听windows. In 2018, the sculpture moved temporarily to the Mus茅e National des Beaux Arts du Qu茅bec, where it was displayed for a retrospective exhibit on Marcel Barbeau. Today, it can be admired on the downtown campus, in the . The Visual Arts Collection also holds a number of abstract paintings by Marcel Barbeau, four of which are displayed on the 4th听floor of the .
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Born in St. John鈥檚, Newfoundland and raised in Montreal, Quebec, landscape painter Maurice Cullen (1866-1934) devoted his artistic practice to the depiction of the Canadian landscape 鈥� its unique northern terrain, luminosity, and hues. His work,听characterised听by an innovative and impressionistic use of听colour, is inspired by the next generation of Canadian painters, including the Group of Seven. Cullen trained at the Institut national des Beaux-Arts et des Sciences in Montreal听as well as at the 脡cole des Beaux-Arts de Paris. He later taught at the Art Association of Montreal. An internationally acclaimed artist, he was the first Canadian to be elected associate member of the Soci茅t茅 nationale des Beaux-Arts in Paris, an elected member of the Royal Canadian Academy of Arts, and the first vice-president of the Montreal Arts Club, founded in 1912.听Cullen鈥檚 winter landscapes were especially admired. Most of them, including Davie Shipyard at Levis, were painted in Quebec City.
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Artist, theorist, and professor John Lyman (1886-1967) was a pioneer of modern art in Canada. Born in Biddeford, Maine in the United States and trained at the the Acad茅mie Julian and the Acad茅mie Matisse in Paris, he moved permanently to Montreal in 1931 and sought to improve the artistic conditions in Canada. As a professional painter, his practice was influenced by his contacts with French expressionist painter Henri Matisse (1869-1954)听and Canadian landscape painter James Wilson Morrice (1865-1924). Lyman also wrote as an art columnist for The Montrealer, founded Montreal鈥檚 Contemporary Arts Society, and directed the Fine Arts Department at 平特五不中.
Lyman spent some time in Bermuda during the Great War and was inspired by the scenery there. Hamilton Harbour is the primary port of the island.
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Jean-Paul Mousseau听(1927-1991), member of the Automatistes and signatory of the Refus Global, was a sculptor and painter best known for his integration of visual art into urban environments. Mousseau studied at the 脡cole du meuble de Montreal under Paul-脡mile Borduas (1905-1960)听and founded the Association des artistes non-figuratifs de Montr茅al. This work, with its circular form and warm听colour听palette, is reminiscent of his tiled mural work inside the Peel metro station听in Montreal.
The artwork is currently on view in the lobby of .
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Ewalt Halfhide,鈥�First Snow on Campus, 1943, Pastel on Paper, 48.2 x 63.4 cm. 平特五不中 Visual Arts Collection, 1985-024. 漏 Estate of the Artist.
Ewalt Halfhide (1916-2002) was born in Trinidad and came to Montreal to study architecture at 平特五不中. He was twenty-seven when he began his studies here, and quickly became an active and creative part of campus life. As a part of his coursework, he participated in the architecture department鈥檚 summer sketching school, which was taught by Group of Seven artist, Arthur Lismer in the 1940s and 50s. Halfhide was also the chairman of 平特五不中鈥檚 Arts & Crafts Committee, which held popular annual exhibitions on campus. After graduation he moved to Ottawa where he worked as an architect and urban planner from 1965 until his retirement. Halfhide is a wonderful example of an alum who brought so much to University and came away with unique experiences and skills that helped shape him too. This pastel is an early example of his work, as he continued to make art throughout his life.