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Program Requirements

The Bachelor of Music (B.Mus.) - Faculty Program Music requires 123 credits and has been designed to accommodate those students who are either undecided about the area of music in which they wish to specialize, or who are interested in a pattern of specialization not provided in the established major programs, or who are interested in combining studies in music with studies in other disciplines. Students registered in the Faculty Program may, with the approval of a staff adviser, design their own programs around specific interests or develop programs with a broader base by incorporating courses from other disciplines and faculties.

Program Prerequisites - Freshman Program (33 credits)

33 credits selected as described below, in consultation with the Program Adviser:

23 credits of Prerequisite courses
4 credits of Basic Ensemble Training
6 credits of non-Music electives

Prerequisite Courses

23 credits, all of the courses below:

Note: Students who can demonstrate through auditions and placement tests that they have mastered the material in any of the courses below will be exempt from them and may proceed to more advanced courses.

• MUHL 186 Western Musical Traditions (3 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Music History and Literature : A survey of Western music from the Middle Ages to the present. Emphasis on key musical concepts and genres in their historical context and aural recognition of style.

  Terms: Fall 2018

  Instructors: Cumming, Julie Emelyn (Fall)

  • 3 hours

• MUIN 180 BMus Practical Lessons 1 (3 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Practical Instrument : Practical instruction on an instrument or voice.

  Terms: Fall 2018, Winter 2019

  Instructors: Algie, Stephen; Kolomyjec, Joanne; Box, James; Devuyst, Russell; Baskin, Theodore; Desgagne, Alain; Freeman, Peter; Hutchins, Timothy; Mangrum, Martin D; Hashimoto, Kyoko; Clayton, Greg; Bolduc, Remi; Hollins, Fraser; Lee, Ranee Y; Lozano, Francisco J; McCann, Christopher; Couture, Jocelyn; Haimovitz, Matt; Manker, Brian; Guimond, Claire; Roy, Andre J; Roberts, Richard Allen; Rager, Joshua; Kutan, Aline; Popescu, Maria; Harboyan, Patil; Karlicek, Martin; Wan, Andrew; Dix, Trevor; Mdivani, Marina; McMahon, Michael; Shuter, Cindy; Poletaev, Ilya; Ducharme, Jérôme; Swartz, Jennifer; Yazdanfar, Ali; Dolin, Elizabeth; Lambert, Michel; Christie, Carolyn; Gaudreault, Jean; Derome, Denys; Johnston, Jeffrey E H; Sullivan, Joseph Leo; Doxas, Dimitrios; Gossage, David Mark; Levesque, Stephane; Grott, David; Walkington, Alec; Dumouchel, Michael; Mahar, William V; Dyachkov, Yegor; Lambert, Frédéric; Chappell, Eric; Laing, David; Aldrich, Simon; Gauthier, Michael; Leclair, Jacqueline; Laimon, Sara; Robinson, Brian; Davidson, Thomas; Di Lauro, Ronald; Feltham, Scott O; Dobby, Timothy; Strauss, Axel; Gavrilova, Julia; Johnson, Alexander David; Plouffe, Helene; Jimenez, Carlos Alberto; Mallette, Marcelle; Dardykina, Tatiana; Read, Alexander; Lemelin, Stéphane; Labelle, Dominique; Kennedy, Donald Leyland; Merkelo, Paul A; Hillis, Amy; Beaudry, Pierre; Stoelzel, Richard; Eriksson, Erik; Peletsis, Anna; Turner, Dave; Tremblay, Sophie; Pilc, Jean-Michel; Hollenbeck, John; MacMillan, Elizabeth H; Leclair, Marie-; Dahlen, Sienna; Bibace, Kenneth; Smith, Tracy; Cote, Nadia; Marandola, Fabrice; Amirault, Greg G; Mac Master, John; Brouwer, Albert G; Zuk, Luba; Novak, Bohdanna; Watson, Nathaniel; Ferguson, Mark; Alvarez, Christophe; Melancon, Violaine; Fournelle-Blain, Victor; Roy, Jocelyne; Normand, Jean-Francois; Vedady, Adrian; McLean, Allan Robert; Jensen, Christine; Cho, Jinjoo; Turner, Catherine; Lane, Christian (Fall) Bourget, Daniele; Pilc, Jean-Michel; Kolomyjec, Joanne; Wan, Andrew (Winter)

  • 3 hours

  • Prerequisite: Admission to the B.Mus. program by audition.

• MUIN 181 BMus Practical Lessons 2 (3 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Practical Instrument : Practical examination in clarinet techniques.

  Terms: Fall 2018, Winter 2019

  Instructors: Mangrum, Martin D; Gavrilova, Julia; Mdivani, Marina; Strauss, Axel; Couture, Jocelyn; Lemelin, Stéphane (Fall) McMahon, Michael; Shuter, Cindy; Mdivani, Marina; Poletaev, Ilya; Ducharme, Jérôme; Swartz, Jennifer; Yazdanfar, Ali; Dolin, Elizabeth; Lambert, Michel; Wan, Andrew; Christie, Carolyn; Gaudreault, Jean; Derome, Denys; Johnston, Jeffrey E H; Sullivan, Joseph Leo; Doxas, Dimitrios; Gossage, David Mark; Levesque, Stephane; Grott, David; Walkington, Alec; Kinslow, Valerie; Dumouchel, Michael; Mahar, William V; Dyachkov, Yegor; Lambert, Frédéric; Chappell, Eric; Laing, David; Aldrich, Simon; Azar, Andree; Gauthier, Michael; Leclair, Jacqueline; Laimon, Sara; Robinson, Brian; Davidson, Thomas; Feltham, Scott O; Dobby, Timothy; Strauss, Axel; Bourget, Daniele; Gavrilova, Julia; Johnson, Alexander David; Plouffe, Helene; Jimenez, Carlos Alberto; Trottier, Jean-Nicolas; Mallette, Marcelle; Dardykina, Tatiana; Read, Alexander; Lemelin, Stéphane; Moye, Felicia; Labelle, Dominique; Di Lauro, Ronald; Kennedy, Donald Leyland; Merkelo, Paul A; Hillis, Amy; Beaudry, Pierre; Stoelzel, Richard; Eriksson, Erik; Peletsis, Anna; Turner, Dave; Tremblay, Sophie; Pilc, Jean-Michel; Dahlen, Sienna; MacMillan, Elizabeth H; Leclair, Marie-; Bibace, Kenneth; Smith, Tracy; Cote, Nadia; Marandola, Fabrice; Amirault, Greg G; Mac Master, John; Brouwer, Albert G; Zuk, Luba; Novak, Bohdanna; Watson, Nathaniel; Ferguson, Mark; Algie, Stephen; Kolomyjec, Joanne; Box, James; Devuyst, Russell; Baskin, Theodore; Desgagne, Alain; Freeman, Peter; Hutchins, Timothy; Kestenberg, Abe; Mangrum, Martin D; Hashimoto, Kyoko; Clayton, Greg; Bolduc, Remi; Dean, Kevin; Hollins, Fraser; Lee, Ranee Y; Lozano, Francisco J; McCann, Christopher; Couture, Jocelyn; Haimovitz, Matt; Manker, Brian; Guimond, Claire; Roy, Andre J; Roberts, Richard Allen; Rager, Joshua; Kutan, Aline; Popescu, Maria; Harboyan, Patil; Karlicek, Martin; Dix, Trevor; Alvarez, Christophe; Melancon, Violaine; Fournelle-Blain, Victor; Roy, Jocelyne; Normand, Jean-Francois; Vedady, Adrian; McLean, Allan Robert; Jensen, Christine; Turner, Catherine; Cho, Jinjoo; Lane, Christian (Winter)

  • Prerequisite: MUIN 180

  • Restriction: Open to students entering directly from High Schools outside Quebec.

• MUPD 135 Music as a Profession 1 (1 credit)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Music Professional Development : Music Professional Development: An introduction to information, resources, and skills related to physical, mental, and professional well-being for the musician and scholar.

  Terms: Fall 2018

  Instructors: Mativetsky, Shawn Eliot (Fall)

  • Open to B.Mus. students or by permission of the instructor.

• MUPD 235 Music as a Profession 2 (1 credit)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Music Professional Development : An overview of the responsibilities and skills required of professions in music and of the varied career paths leading from a music degree.

  Terms: Winter 2019

  Instructors: Boucher, Helene (Winter)

  • Open to BMus students in U2 and U3, or by permission of the instructor.

  • Prerequisite(s): MUPD 135

  • Restriction(s): Not open to students who have taken MUPD 136.

• MUSP 140 Musicianship Training 1 (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Rhythm and metre basic subdivisions and conducting patterns; intervals, chords, and scale patterns; non-modulating tonal melodies with treble and bass clefs; harmonic progressions emphasizing two-part outer voice structures.

  Terms: Fall 2018

  Instructors: Mariner, Justin B; Petit-Homme, Fredericka; Yeunyonghattaporn, Akkra; De Castro, Margaret Emily; McCart, Vanessa; Donaldson, James (Fall)

  • 2 hours

  • Prerequisite: Matriculation Music or ƽÌØÎå²»ÖÐ Conservatory Theory Secondary V or its equivalent.

  • Corequisites: MUTH 150, MUSP 170

• MUSP 141 Musicianship Training 2 (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Rhythm and metre mixed divisions and syncopations; triadic and seventh chord voicings and disjunct pitch collections; chromatically embellished melodies adding alto clef; simple modulating harmonic progressions emphasizing two-part outer voice structures.

  Terms: Winter 2019

  Instructors: Mariner, Justin B; De Castro, Margaret Emily; Petit-Homme, Fredericka; McCart, Vanessa (Winter)

  • 2 hours

  • Prerequisites: Matriculation Music or ƽÌØÎå²»ÖÐ Conservatory Theory Secondary V or its equivalent. MUSP 140

  • Corequisites: MUTH 151, MUSP 171

• MUSP 170 Musicianship (Keyboard) 1 (1 credit)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Harmonic, melodic and rhythmic analysis at the keyboard through the study of rudiments, repertoire, chorale/score reading, transposition and harmonization.

  Terms: Fall 2018

  Instructors: Neidhofer, Christoph; Mariner, Justin B; Gavrilova, Julia; Kovacs, Jolan Ilona; Yeunyonghattaporn, Akkra; Vromet, Jonathan (Fall)

  • 1 hour

  • Prerequisite: Matriculation Music or ƽÌØÎå²»ÖÐ Conservatory Theory Secondary V or its equivalent.

  • Corequisites: MUTH 150 and MUSP 140.

  • Course contents parallel with those of MUTH 150 and MUSP 140.

• MUSP 171 Musicianship (Keyboard) 2 (1 credit)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Building chordal fluency. Harmonic vocabulary including sequences, chromaticism and modulation. Chorale and score reading with transposing instruments and alto/tenor clefs.

  Terms: Winter 2019

  Instructors: Gavrilova, Julia; Kovacs, Jolan Ilona; Yeunyonghattaporn, Akkra; Li, Jui-Sheng; Mariner, Justin B (Winter)

  • 1 hour

  • Prerequisite: MUSP 170

  • Corequisites: MUTH 111 and MUSP 131; or MUTH 151 and MUSP 141

  • Restriction: All students admitted to B.Mus. and L.Mus. programs, including those with keyboard or guitar as their principal instrument, are required to take MUSP 171 Keyboard Lab, unless exempt on the basis of a placement test. Students who are exempt from MUTH 111 through placement tests must still take MUSP 171 (unless exempt) since this course forms the foundation of keyboard-based musicianship tasks at upper levels. (All Majors in Jazz Performance substitute MUJZ 171 for MUSP 171. Students in Jazz Performance who have completed MUJZ 170 and MUJZ 171, and who transfer to a Department of Theory program, will be required to complete MUSP 171.) Students who do not achieve a continuation pass in MUSP 171 must reregister for the course in the semester immediately following. Students who do not achieve a continuation pass after repeating the course will not be allowed to proceed with further Musicianship or Theory studies until a continuation pass is achieved. Tests for MUSP 171 are held in August-September, December-January, and April-May [as well as during the Summer Session when course(s) offered], the exact dates determined by the Department of Music Research.

  • Course contents parallel with those of MUTH 151 and MUSP 141.

• MUTH 150 Theory and Analysis 1 (3 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Music Theory and Analysis : Diatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.

  Terms: Fall 2018

  Instructors: Klorman, Edward (Fall)

  • Prerequisite: Matriculation Music or ƽÌØÎå²»ÖÐ Conservatory Theory Secondary V or its equivalent.

  • Corequisites: MUSP 140 and MUSP 170

• MUTH 151 Theory and Analysis 2 (3 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Music Theory and Analysis : Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.

  Terms: Winter 2019

  Instructors: Neidhofer, Christoph (Winter)

  • Pre- or Co-requisites: MUTH 150, MUSP 140 and MUSP 170

  • Corequisites: MUSP 141 and MUSP 171

Required Courses (22 credits)

22 credits of the required courses are selected as follows:

9 credits of Theory
4 credits of Musicianship
3 credits of Music History
6 credits of Performance

Theory

9 credits

• MUTH 250 Theory and Analysis 3 (3 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Music Theory and Analysis : Compositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.

  Terms: Fall 2018, Summer 2019

  Instructors: Caplin, William Earl (Fall) Wild, Jonathan (Summer)

  • 3 hours

  • Prerequisite: MUTH 151

  • Corequisite: MUSP 240

• MUTH 251 Theory and Analysis 4 (3 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Music Theory and Analysis : Expanded harmonic resources of the 19th century (e.g., advanced chromaticism including enharmonic reinterpretation and symmetrical division). Analysis of characteristic small and large forms. Writing and analytical skills with a goal toward perceiving how levels of musical structure interact.

  Terms: Winter 2019, Summer 2019

  Instructors: Klorman, Edward; Wild, Jonathan; Caplin, William Earl (Winter) Biamonte, Nicole (Summer)

  • 3 hours

  • Prerequisite: MUTH 250

  • Corequisite: MUSP 241

• MUTH 350 Theory and Analysis 5 (3 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Music Theory and Analysis : Exploration of 20th and 21st century organizations of pitch, rhythm, timbre etc. Written and analytical skills for the purpose of gaining insight into the compositional techniques and aesthetics of this repertoire.

  Terms: Winter 2019, Summer 2019

  Instructors: Hasegawa, Robert (Winter) Duinker, Benjamin (Summer)

  • 3 hours

  • Prerequisite: MUTH 251

Musicianship

4 credits

• MUSP 240 Musicianship Training 3 (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Rhythm and metre mixed divisions and two-part work; additional chordal voicings and pitch collections; melodies modulating to closely-related keys adding tenor clef; harmonic progression including applied chords; two-part keyboard-style passages.

  Terms: Fall 2018, Summer 2019

  Instructors: Asly, Monica; Guzik, John W P; Goddard, Christopher; McCart, Vanessa (Fall) Asly, Monica (Summer)

  • Prerequisites: Matriculation Music or ƽÌØÎå²»ÖÐ Conservatory Theory Secondary V or its equivalent. MUSP 141

  • Corequisite: MUTH 250

• MUSP 241 Musicianship Training 4 (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Changing metres; chord voicings and atonal pitch collections; modulating tonal melodies and score reading of transposing instruments; harmonic progression including chromatic chords; two-part passages.

  Terms: Winter 2019, Summer 2019

  Instructors: Asly, Monica; Guzik, John W P; McCart, Vanessa; Fillion, Maxime (Winter) Asly, Monica (Summer)

  • Prerequisite: MUSP 240

  • Corequisite: MUTH 251

Music History

3 credits

• MUHL 286 Critical Thinking About Music (3 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Music History and Literature : Examination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.

  Terms: Fall 2018, Winter 2019, Summer 2019

  Instructors: Barg, Lisa (Fall) Cain, Jerry (Winter) Huebner, Steven (Summer)

  • Prerequisite: MUHL 186 or MUJZ 187

  • Restriction: Not open to students who have taken MUTH 301

Performance

6 credits

• MUIN 280 BMus Practical Lessons 3 (2.5 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Practical Instrument : Practical instruction on an instrument or voice.

  Terms: Fall 2018, Winter 2019

  Instructors: Kolomyjec, Joanne; Box, James; Gaudreault, Jean; Aldrich, Simon; Desgagne, Alain; Levesque, Stephane; Gavrilova, Julia; Hashimoto, Kyoko; Laimon, Sara; Mdivani, Marina; Zuk, Luba; Bibace, Kenneth; Clayton, Greg; Bolduc, Remi; Di Lauro, Ronald; Grott, David; Hollins, Fraser; Lozano, Francisco J; Dolin, Elizabeth; Haimovitz, Matt; Lambert, Frédéric; Roy, Andre J; Roberts, Richard Allen; Rager, Joshua; Sullivan, Joseph Leo; White, Andre; Popescu, Maria; Karlicek, Martin; Wan, Andrew; Dix, Trevor; Doxas, Dimitrios; Hutchins, Timothy; McCann, Christopher; Jimenez, Carlos Alberto; Algie, Stephen; Mahar, William V; Devuyst, Russell; Mangrum, Martin D; Baskin, Theodore; Freeman, Peter; Couture, Jocelyn; Dean, Kevin; Johnston, Jeffrey E H; Ducharme, Jérôme; Harboyan, Patil; Dyachkov, Yegor; Shuter, Cindy; Walkington, Alec; Laing, David; Lee, Ranee Y; Lambert, Michel; McNabney, Douglas; Manker, Brian; Turner, Dave; Poletaev, Ilya; Davidson, Thomas; Derome, Denys; Swartz, Jennifer; Eriksson, Erik; Dumouchel, Michael; Christie, Carolyn; Yazdanfar, Ali; Strauss, Axel; Mallette, Marcelle; Gossage, David Mark; Dobby, Timothy; Beaudry, Pierre; Knox, Hank; Azar, Andree; Amirault, Greg G; Robinson, Brian; Chappell, Eric; Marandola, Fabrice; Gauthier, Michael; Feltham, Scott O; Maute, Matthias; McLean, Allan Robert; Peletsis, Anna; Read, Alexander; Lemelin, Stéphane; Loftus, Gili; Dardykina, Tatiana; Johnson, Alexander David; Leclair, Jacqueline; Labelle, Dominique; Bluteau, Denis; Hillis, Amy; Novak, Bohdanna; Plouffe, Helene; Stoelzel, Richard; Kutan, Aline; Smith, Tracy; Hollenbeck, John; Tremblay, Lisanne; Pilc, Jean-Michel; Mac Master, John; Richer, Patrice; Kennedy, Donald Leyland; Dahlen, Sienna; Merkelo, Paul A; Leclair, Marie-; Von Eccher, Magdalena; Barry, Suren; Skinner, Elizabeth; Bergeron, Sylvain; Bourassa, Francois; Melancon, Violaine; Vedady, Adrian; Watson, Nathaniel; Ferguson, Mark; Cote, Nadia; Ledger, Timothy; Roy, Jocelyne; Cope, Todd; Trottier, Jean-Nicolas; LeBlanc, Rémi-Jean; Lane, Christian; Cho, Jinjoo; Turner, Catherine; Stevenson, Francois; Suh, Min Jung; Cicchillitti, Adam; Trudel, Marianne; Li, Jui-Sheng (Fall) Strauss, Axel; Gaudreault, Jean; Mangrum, Martin D; McLean, Allan Robert; Christie, Carolyn; Gavrilova, Julia; Mdivani, Marina; Laimon, Sara; Bibace, Kenneth; Roy, Andre J; Lemelin, Stéphane; Suh, Min Jung (Winter)

  • Prerequisite(s): MUIN 181.

• MUIN 281 BMus Practical Lessons 4 (2.5 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Practical Instrument : Practical instruction on an instrument or voice.

  Terms: Fall 2018, Winter 2019

  Instructors: Jimenez, Carlos Alberto; Knox, Hank; Haimovitz, Matt; Davidson, Thomas; McCann, Christopher; Popescu, Maria; Lozano, Francisco J; Mallette, Marcelle; Walkington, Alec; Hollins, Fraser; Manker, Brian; Karlicek, Martin; Mdivani, Marina; Algie, Stephen; Mac Master, John; MacMillan, Elizabeth H; Ducharme, Jérôme; Devuyst, Russell; Roberts, Richard Allen; Marandola, Fabrice; Harboyan, Patil (Fall) Doxas, Dimitrios; Hutchins, Timothy; McCann, Christopher; Jimenez, Carlos Alberto; Algie, Stephen; Mahar, William V; Devuyst, Russell; Mangrum, Martin D; Baskin, Theodore; Freeman, Peter; Kestenberg, Abe; Couture, Jocelyn; Dean, Kevin; Johnston, Jeffrey E H; Ducharme, Jérôme; Harboyan, Patil; Dyachkov, Yegor; Shuter, Cindy; Walkington, Alec; Laing, David; Lee, Ranee Y; Lambert, Michel; McNabney, Douglas; Manker, Brian; Roy, Andre J; Turner, Dave; Poletaev, Ilya; Davidson, Thomas; Derome, Denys; Swartz, Jennifer; Eriksson, Erik; Dumouchel, Michael; Christie, Carolyn; Yazdanfar, Ali; Strauss, Axel; Mallette, Marcelle; Gossage, David Mark; Dobby, Timothy; Beaudry, Pierre; Knox, Hank; Azar, Andree; Amirault, Greg G; Robinson, Brian; Chappell, Eric; Trottier, Jean-Nicolas; Petersen, Katherine; Gauthier, Michael; Feltham, Scott O; Maute, Matthias; McLean, Allan Robert; Peletsis, Anna; Read, Alexander; Lemelin, Stéphane; Dardykina, Tatiana; Johnson, Alexander David; Bourget, Daniele; Leclair, Jacqueline; Moye, Felicia; Labelle, Dominique; Bourassa, Francois; Bluteau, Denis; Hillis, Amy; Novak, Bohdanna; Plouffe, Helene; Stoelzel, Richard; Kutan, Aline; Smith, Tracy; Hollenbeck, John; Pilc, Jean-Michel; Tremblay, Lisanne; Mac Master, John; Richer, Patrice; Kennedy, Donald Leyland; Merkelo, Paul A; Leclair, Marie-; Von Eccher, Magdalena; Barry, Suren; Skinner, Elizabeth; Bergeron, Sylvain; Dahlen, Sienna; Marandola, Fabrice; Melancon, Violaine; Vedady, Adrian; Watson, Nathaniel; Ferguson, Mark; Kolomyjec, Joanne; Box, James; Gaudreault, Jean; Aldrich, Simon; Desgagne, Alain; Levesque, Stephane; Gavrilova, Julia; Hashimoto, Kyoko; Laimon, Sara; Mdivani, Marina; Zuk, Luba; Bibace, Kenneth; Clayton, Greg; Bolduc, Remi; Di Lauro, Ronald; Grott, David; Hollins, Fraser; Lozano, Francisco J; Dolin, Elizabeth; Haimovitz, Matt; Lambert, Frédéric; Roberts, Richard Allen; Rager, Joshua; Sullivan, Joseph Leo; White, Andre; Popescu, Maria; Karlicek, Martin; Wan, Andrew; Dix, Trevor; Cote, Nadia; Ledger, Timothy; Roy, Jocelyne; Cope, Todd; LeBlanc, Rémi-Jean; Turner, Catherine; Cho, Jinjoo; Lane, Christian; Stevenson, Francois; Cicchillitti, Adam; Trudel, Marianne; Li, Jui-Sheng; Suh, Min Jung (Winter)

  • Prerequisite: MUIN 280

• MUIN 283 BMus Concentration Final Examination (1 credit)

  Offered by: Performance (Schulich School of Music)

  Overview

  Practical Instrument : Assessment of student's progress in the practical area.

  Terms: Fall 2018, Winter 2019

  Instructors: There are no professors associated with this course for the 2018-2019 academic year.

  • Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.

Complementary Courses (12 credits)

Music History

6 credits

(Courses at 300-level or higher with a MUHL or MUPP prefix).

Musicianship

2 credits from:

• MUSP 324 Musicianship for Strings (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for strings.

  Terms: This course is not scheduled for the 2018-2019 academic year.

  Instructors: There are no professors associated with this course for the 2018-2019 academic year.

  • Pre- or Co-requisite: MUSP 241

• MUSP 330 Musicianship for Woodwinds (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for woodwinds.

  Terms: This course is not scheduled for the 2018-2019 academic year.

  Instructors: There are no professors associated with this course for the 2018-2019 academic year.

  • Prerequisite: MUSP 241

• MUSP 335 Musicianship for Brass (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for brass.

  Terms: This course is not scheduled for the 2018-2019 academic year.

  Instructors: There are no professors associated with this course for the 2018-2019 academic year.

  • Prerequisite: MUSP 241

• MUSP 346 Post-Tonal Musicianship (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Extended tonal and post-tonal harmonic and contrapuntal structures, rhythmic practices of the 20th and 21st century, score reading.

  Terms: Fall 2018, Winter 2019, Summer 2019

  Instructors: Asly, Monica (Fall) Mariner, Justin B (Winter) Mariner, Justin B (Summer)

  • Prerequisite: MUSP 241

• MUSP 350 Musicianship for Pianists (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on sight-reading, practical score analysis and focused learning methods.

  Terms: This course is not scheduled for the 2018-2019 academic year.

  Instructors: There are no professors associated with this course for the 2018-2019 academic year.

  • Prerequisite: MUSP 241

• MUSP 353 Musicianship for Voice (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, voice-leading and sound texture.

  Terms: This course is not scheduled for the 2018-2019 academic year.

  Instructors: There are no professors associated with this course for the 2018-2019 academic year.

  • Prerequisite: MUSP 141

• MUSP 354 Introduction to Improvisation and Ornamentation (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Principles of improvisation and ornamentation for music before 1800, including harmonic progressions and voice-leading and contrapuntal patterns for instrumentalists and singers, along with examples of ornamented vocal and instrumental works from 17th and 18th century sources.

  Terms: Fall 2018

  Instructors: Schubert, Peter N (Fall)

  • Prerequisite: MUSP 241

• MUSP 355 Musicianship for Percussion (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on polyrhythm.

  Terms: Winter 2019

  Instructors: Mativetsky, Shawn Eliot (Winter)

  • Prerequisite: MUSP 241

• MUSP 381 Singing Renaissance Notation (2 credits)

  Offered by: Music Research (Schulich School of Music)

  Overview

  Musicianship : Choral sightsinging of mensural notation, with a focus on white notation c. 1420-1600. Development of basic fluency in the notation, interpretation of values in triple meter, addition of accidentals given the contrapuntal context as perceived aurally, Renaissance solmisation.

  Terms: Winter 2019

  Instructors: Cumming, Julie Emelyn (Winter)

  • Prerequisite: MUSP 241

Performance

4 credits from:

• MUEN 563 Jazz Vocal Workshop (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : Vocal workshop for jazz musicians.

  Terms: Fall 2018, Winter 2019

  Instructors: Novak, Bohdanna (Fall) Novak, Bohdanna (Winter)

• MUEN 572 Cappella Antica (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.

  Terms: Fall 2018, Winter 2019

  Instructors: Leblanc, Suzie (Fall) Leblanc, Suzie (Winter)

  • 4 hours

  • Prerequisite: Audition.

• MUEN 573 Baroque Orchestra (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.

  Terms: Fall 2018, Winter 2019

  Instructors: Knox, Hank (Fall) Knox, Hank (Winter)

  • 4 hours

  • Prerequisites: Audition

• MUEN 587 Cappella ƽÌØÎå²»ÖÐ (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : An ensemble of 16 voices performing challenging repertoire from the Renaissance to the present day. Since the expectation is a level of performance equivalent to a professional chamber ensemble, singers wishing to join this group should have had considerable ensemble experience, and advanced vocal and sight-reading skills.

  Terms: This course is not scheduled for the 2018-2019 academic year.

  Instructors: There are no professors associated with this course for the 2018-2019 academic year.

  • 4 hours

  • Prerequisite: Audition.

  • Note: May be taken instead of Choral Ensemble.

• MUEN 590 ƽÌØÎå²»ÖÐ Wind Orchestra (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : Large ensemble for wind instruments.

  Terms: Fall 2018, Winter 2019

  Instructors: Cazes, Alain (Fall) Cazes, Alain (Winter)

  • 4-6 hours

  • Prerequisite: Audition

• MUEN 592 Chamber Jazz Ensemble (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : This ensemble will deal with the extensive repertoire of music which exists for small jazz orchestra (9-13 instruments).

  Terms: Fall 2018, Winter 2019

  Instructors: Trottier, Jean-Nicolas (Fall) Trottier, Jean-Nicolas (Winter)

  • Restriction: Open to Jazz Performance students only.

• MUEN 593 Choral Ensembles (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.

  Terms: Fall 2018, Winter 2019

  Instructors: Vallée, Jean-Sébastien; Ricketts, Floydd; Mahabir, Walter (Fall) Vallée, Jean-Sébastien; Ricketts, Floydd; Mahabir, Walter (Winter)

  • 4 hours

  • Prerequisite: Audition.

  • Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.

  • Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.

  • Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.

  • Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.

• MUEN 594 Contemporary Music Ensemble (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : Ensemble for contemporary music - instruments and voice.

  Terms: Fall 2018, Winter 2019

  Instructors: Bourgogne, Guillaume (Fall) Bourgogne, Guillaume (Winter)

  • 4 hours

  • Prerequisite: Audition.

• MUEN 595 Jazz Ensembles (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : Ensemble for jazz - instruments and voice.

  Terms: Fall 2018, Winter 2019

  Instructors: Jimenez, Carlos Alberto; Doxas, Dimitrios; Jensen, Christine; Di Lauro, Ronald; Mahar, William V (Fall) Hollenbeck, John; Sullivan, Joseph Leo; Jensen, Christine; Di Lauro, Ronald; Jimenez, Carlos Alberto; Mahar, William V (Winter)

  • 3-4 hours

  • Prerequisite: Audition.

• MUEN 597 ƽÌØÎå²»ÖÐ Symphony Orchestra (2 credits)

  Offered by: Performance (Schulich School of Music)

  Overview

  Ensemble : Ensemble for orchestral instruments.

  Terms: Fall 2018, Winter 2019

  Instructors: Hauser, Rudolf-Alexius (Fall) Hauser, Rudolf-Alexius (Winter)

  • 6 - 7 hours

  • Prerequisite: Audition.

Music Electives (20 credits)

Non-Music Electives (3 credits)

Free Electives (33 credits)