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Program Requirements
The Bachelor of Music (B.Mus.) - Major Music History program requires 91 credits (plus 33 credits for the Freshman requirement for out-of-province students).
Program Prerequisites - Freshman Program (33 credits)
33 credits selected as described below, in consultation with the Program Adviser:
23 credits of Prerequisite Courses
4 credits of Basic Ensemble Training
6 credits of Non-Music Electives
Prerequisite Courses
23 credits, all of the courses below:
Note: Students who can demonstrate through auditions and placement tests that they have mastered the material in any of the courses below will be exempt from them and may proceed to more advanced courses.
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MUHL 186 Western Musical Traditions (3 credits)
Overview
Music History and Literature : A survey of Western music from the Middle Ages to the present. Emphasis on key musical concepts and genres in their historical context and aural recognition of style.
Terms: Fall 2016
Instructors: Huebner, Steven (Fall)
3 hours
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MUIN 180 BMus Practical Lessons 1 (3 credits)
Overview
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2016, Winter 2017
Instructors: Algie, Stephen; Kolomyjec, Joanne; Box, James; Devuyst, Russell; Zirbel, John; Baskin, Theodore; Desgagne, Alain; Freeman, Peter; Hutchins, Timothy; Kestenberg, Abe; Mangrum, Martin D; Hashimoto, Kyoko; Clayton, Greg; Bolduc, Remi; Dean, Kevin; Hollins, Fraser; Lee, Ranee Y; Lozano, Francisco J; McCann, Christopher; Couture, Jocelyn; Haimovitz, Matt; Manker, Brian; Guimond, Claire; Antonio, Garry M W; Roy, Andre J; Roberts, Richard Allen; Rager, Joshua; Kutan, Aline; Popescu, Maria; Harboyan, Patil; Karlicek, Martin; Purdy, Winston; Fewer, Mark; Wan, Andrew; Dix, Trevor; Huang, Yai-Yun; Marandola, Fabrice; Mdivani, Marina; McMahon, Michael; Shuter, Cindy; Poletaev, Ilya; Ducharme, J茅r么me; Swartz, Jennifer; Yazdanfar, Ali; Dolin, Elizabeth; Lambert, Michel; Christie, Carolyn; Gaudreault, Jean; Derome, Denys; Johnston, Jeffrey E H; Sullivan, Joseph Leo; Doxas, Dimitrios; Gossage, David Mark; Levesque, Stephane; Grott, David; Walkington, Alec; Kinslow, Valerie; Dumouchel, Michael; Mahar, William V; Dyachkov, Yegor; Lambert, Fr茅d茅ric; Chappell, Eric; Laing, David; Aldrich, Simon; Azar, Andree; Gauthier, Michael; Leclair, Jacqueline; Laimon, Sara; Robinson, Brian; Davidson, Thomas; Di Lauro, Ronald; Feltham, Scott O; Dobby, Timothy; Strauss, Axel; Bourget, Daniele; Gavrilova, Julia; Johnson, Alexander David; Plouffe, Helene; Jimenez, Carlos Alberto; Trottier, Jean-Nicolas; Mallette, Marcelle; Dardykina, Tatiana; Read, Alexander; Lemelin, St茅phane; Moye, Felicia; Labelle, Dominique; Kennedy, Donald Leyland; Merkelo, Paul A; Hillis, Amy; Beaudry, Pierre; Eriksson, Erik; Peletsis, Anna; Turner, Dave; Tremblay, Sophie; Stoelzel, Richard; Pilc, Jean-Michel; Hollenbeck, John; MacMillan, Elizabeth H; Leclair, Marie-; Dahlen, Sienna; Bibace, Kenneth; Smith, Tracy (Fall) Bourget, Daniele; Mahar, William V (Winter)
3 hours
Prerequisite: Admission to the B.Mus. program by audition.
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MUIN 181 BMus Practical Lessons 2 (3 credits)
Overview
Practical Instrument : Practical examination in clarinet techniques.
Terms: Fall 2016, Winter 2017
Instructors: Mangrum, Martin D; Gavrilova, Julia; Mdivani, Marina (Fall) Huang, Yai-Yun; Marandola, Fabrice; McMahon, Michael; Shuter, Cindy; Mdivani, Marina; Poletaev, Ilya; Ducharme, J茅r么me; Swartz, Jennifer; Yazdanfar, Ali; Dolin, Elizabeth; Lambert, Michel; Wan, Andrew; Christie, Carolyn; Gaudreault, Jean; Derome, Denys; Johnston, Jeffrey E H; Sullivan, Joseph Leo; Doxas, Dimitrios; Gossage, David Mark; Levesque, Stephane; Grott, David; Walkington, Alec; Kinslow, Valerie; Dumouchel, Michael; Mahar, William V; Dyachkov, Yegor; Lambert, Fr茅d茅ric; Chappell, Eric; Laing, David; Aldrich, Simon; Azar, Andree; Gauthier, Michael; Leclair, Jacqueline; Laimon, Sara; Robinson, Brian; Davidson, Thomas; Feltham, Scott O; Dobby, Timothy; Strauss, Axel; Bourget, Daniele; Gavrilova, Julia; Johnson, Alexander David; Plouffe, Helene; Jimenez, Carlos Alberto; Trottier, Jean-Nicolas; Mallette, Marcelle; Dardykina, Tatiana; Read, Alexander; Lemelin, St茅phane; Labelle, Dominique; Di Lauro, Ronald; Kennedy, Donald Leyland; Merkelo, Paul A; Hillis, Amy; Beaudry, Pierre; Eriksson, Erik; Peletsis, Anna; Turner, Dave; Tremblay, Sophie; Algie, Stephen; Kolomyjec, Joanne; Box, James; Devuyst, Russell; Zirbel, John; Baskin, Theodore; Desgagne, Alain; Forget, Normand; Freeman, Peter; Hutchins, Timothy; Kestenberg, Abe; Mangrum, Martin D; Hashimoto, Kyoko; Amirault, Steve; Clayton, Greg; Bolduc, Remi; Dean, Kevin; Hollins, Fraser; Lee, Ranee Y; Lozano, Francisco J; McCann, Christopher; Couture, Jocelyn; Haimovitz, Matt; Manker, Brian; Guimond, Claire; Antonio, Garry M W; Roy, Andre J; Roberts, Richard Allen; Rager, Joshua; Kutan, Aline; Popescu, Maria; Harboyan, Patil; Karlicek, Martin; Purdy, Winston; Fewer, Mark; Dix, Trevor; Moye, Felicia; Stoelzel, Richard; Pilc, Jean-Michel; Dahlen, Sienna; MacMillan, Elizabeth H; Leclair, Marie-; Bibace, Kenneth; Smith, Tracy; Robinson, Evan (Winter)
Prerequisite: MUIN 180
Restriction: Open to students entering directly from High Schools outside Quebec.
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MUPD 135 Music as a Profession 1 (1 credit)
Overview
Music Professional Development : An introduction to the responsibilities and skills required of professionals in music; job options, contracts, professional organizations, freelancing.
Terms: Fall 2016
Instructors: Leclair, Jacqueline (Fall)
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MUPD 136 Music as a Profession 2 (1 credit)
Overview
Music Professional Development : Additional responsibilities and skills required of professionals in music.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUSP 140 Musicianship Training 1 (2 credits)
Overview
Musicianship : Rhythm and metre basic subdivisions and conducting patterns; intervals, chords, and scale patterns; non-modulating tonal melodies with treble and bass clefs; harmonic progressions emphasizing two-part outer voice structures.
Terms: Fall 2016
Instructors: Schubert, Peter N; De Castro, Margaret Emily; Mariner, Justin B; Campbell, Evan; Petit-Homme, Fredericka (Fall)
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MUSP 141 Musicianship Training 2 (2 credits)
Overview
Musicianship : Rhythm and metre mixed divisions and syncopations; triadic and seventh chord voicings and disjunct pitch collections; chromatically embellished melodies adding alto clef; simple modulating harmonic progressions emphasizing two-part outer voice structures.
Terms: Winter 2017
Instructors: De Castro, Margaret Emily; Mariner, Justin B; Petit-Homme, Fredericka; Campbell, Evan; Sailor, Malcolm (Winter)
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MUSP 170 Musicianship (Keyboard) 1 (1 credit)
Overview
Musicianship : Harmonic, melodic and rhythmic analysis at the keyboard through the study of rudiments, repertoire, chorale/score reading, transposition and harmonization.
Terms: Fall 2016
Instructors: Davidson, Thomas; Kovacs, Jolan Ilona; McDonald, Mark; Vromet, Jonathan; Gavrilova, Julia (Fall)
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MUSP 171 Musicianship (Keyboard) 2 (1 credit)
Overview
Musicianship : Building chordal fluency. Harmonic vocabulary including sequences, chromaticism and modulation. Chorale and score reading with transposing instruments and alto/tenor clefs.
Terms: Winter 2017
Instructors: Davidson, Thomas; Kovacs, Jolan Ilona; McDonald, Mark; Vromet, Jonathan; Gavrilova, Julia (Winter)
1 hour
Prerequisite: MUSP 170
Corequisites: MUTH 111 and MUSP 131; or MUTH 151 and MUSP 141
Restriction: All students admitted to B.Mus. and L.Mus. programs, including those with keyboard or guitar as their principal instrument, are required to take MUSP 171 Keyboard Lab, unless exempt on the basis of a placement test. Students who are exempt from MUTH 111 through placement tests must still take MUSP 171 (unless exempt) since this course forms the foundation of keyboard-based musicianship tasks at upper levels. (All Majors in Jazz Performance substitute MUJZ 171 for MUSP 171. Students in Jazz Performance who have completed MUJZ 170 and MUJZ 171, and who transfer to a Department of Theory program, will be required to complete MUSP 171.) Students who do not achieve a continuation pass in MUSP 171 must reregister for the course in the semester immediately following. Students who do not achieve a continuation pass after repeating the course will not be allowed to proceed with further Musicianship or Theory studies until a continuation pass is achieved. Tests for MUSP 171 are held in August-September, December-January, and April-May [as well as during the Summer Session when course(s) offered], the exact dates determined by the Department of Music Research.
Course contents parallel with those of MUTH 151 and MUSP 141.
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MUTH 150 Theory and Analysis 1 (3 credits)
Overview
Music Theory and Analysis : Diatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.
Terms: Fall 2016
Instructors: Hasegawa, Robert (Fall)
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MUTH 151 Theory and Analysis 2 (3 credits)
Overview
Music Theory and Analysis : Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.
Terms: Winter 2017
Instructors: Neidhofer, Christoph (Winter)
Required History (3 credits)
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MUHL 286 Critical Thinking About Music (3 credits)
Overview
Music History and Literature : Examination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.
Terms: Fall 2016, Winter 2017, Summer 2017
Instructors: Barg, Lisa (Fall) Huebner, Steven (Winter) Barg, Lisa (Summer)
Complementary History (27 credits)
27 credits selected from Group I, II, and III, with a minimum of 6 credits from each group.
Group I
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MUHL 377 Baroque Opera (3 credits)
Overview
Music History and Literature : History of opera from its origins in the musical, literary, and philosophical models available to the Florentine Camerata to the end of the baroque. The development of opera will be studied from the perspective of artistic style and in the light of historical, political, social, and economic conditions.
Terms: Winter 2017
Instructors: Cochran, Zoey (Winter)
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MUHL 380 Medieval Music (3 credits)
Overview
Music History and Literature : The medieval style - an intensive study of one or more selected topics from the repertoire. Possible subjects include liturgical chant, Notre Dame, the medieval motet, secular developments, and instrumental literature.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 381 Renaissance Music (3 credits)
Overview
Music History and Literature : Sacred and secular musical genres of the 15th and 16th Centuries. Various phases of imitative practice, cantus firmus and parody techniques. The emergence of homophonic textures in peripheral areas of the repertoire. Selected problems in the fields of theory, bibliography and aesthetics.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 382 Baroque Music (3 credits)
Overview
Music History and Literature : A detailed examination of several selected areas of Baroque music. Topics will be drawn from different geographical regions (e.g., Italy, France, Germany, etc.) and encompass church, chamber and theatre music, as well as performance practice. Each topic will be related to general musical developments of the period.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 383 Classical Music (3 credits)
Overview
Music History and Literature : The period covered will be from approximately 1740-1828, from the schools of the Italian keyboard composers, opera buffa and seria, and composers centred at Mannheim, Paris, London, Berlin and Vienna, through the Viennese Classic period of Haydn, Mozart and Beethoven, to the death of Schubert.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 395 Keyboard Literature before 1750 (3 credits)
Overview
Music History and Literature : The solo repertoire for organ, harpsichord, and clavichord from 1400 to 1750: intabulation, cantus firmus treatment, indigenous keyboard genres, German organ literature, French harpsichord repertoire.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 591D1 Paleography (1.5 credits)
Overview
Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.
Terms: Fall 2016
Instructors: Cumming, Julie Emelyn (Fall)
1.5 hours
Prerequisites: MUHL 286
Corequisites: MUTH 250 or MUCO 241, AND MUSP 241 or MUJZ 214
Normally alternates with MUHL 529
Students must register for both MUHL 591D1 and MUHL 591D2
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
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MUHL 591D2 Paleography (1.5 credits)
Overview
Music History and Literature : See MUHL 591D1 for course description.
Terms: Winter 2017
Instructors: Cumming, Julie Emelyn (Winter)
Prerequisite: MUHL 591D1
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
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MUPP 381 Topics in Performance Practice (3 credits)
Overview
Performance Practice : Issues in performance traditions. Topics focus on rhythmic interpretation, vocal and instrumental style, ornamentation, improvisation, performance venues and context. Sources include original notation and modern editions, treatises, iconography, organology, analysis, criticism, and recordings.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
3 hours
Restriction: Not open to students who have taken MUPP 385
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MUTH 426 Topics in Early Music Analysis (3 credits)
Overview
Music Theory and Analysis : Music from before 1700 is analyzed using recently developed techniques as well as materials gathered from treatises contemporaneous with the music. The implications of analysis for performance are considered.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Group II
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MUHL 366 The Era of the Fortepiano (3 credits)
Overview
Music History and Literature : Survey of the repertoire for keyboard 1750-1850: the instruments, Empfindsamkeit, gallant style, London, Paris, Vienna, the Czech school, Haydn, Mozart, Beethoven, sonatas, variations, character pieces, "high" and "low" salon music, virtuosos and the virtuoso repertoire, Schubert, Chopin, Schumann, Mendelssohn, early Liszt.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 372 Solo Song Outside Germany and Austria (3 credits)
Overview
Music History and Literature : Topics in American and European non-German song repertoire from the eighteenth century to the present. Issues discussed may include the role of song in national music culture, art song and folk song, national styles and poetic traditions, text-music relationships, and performance practice.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 384 Romantic Music (3 credits)
Overview
Music History and Literature : The Romantic style as traced by an analysis of works by the major composers of Lied, symphony, symphonic poem, chamber music, and opera.
Terms: Fall 2016
Instructors: Cain, Jerry (Fall)
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MUHL 385 Early Twentieth-Century Music (3 credits)
Overview
Music History and Literature : Development of European, Russian, and American music from the 1890s until the early 1940s, tracing its roots in late 19th-century Romanticism and following its evolution in central Europe, France, and the United States. The music of major innovators such as Debussy, Stravinsky, Schoenberg, Ives, and Var猫se will be discussed.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 386 Chamber Music Literature (3 credits)
Overview
Music History and Literature : The course will concentrate on the forms and media for chamber ensembles during the 18th, 19th and 20th centuries: accompanied sonatas, duos, trios, quartets, quintets, sextets, divertimenti, and works for small chamber orchestra. Major works of the most representative composers will be discussed.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 387 Opera from Mozart to Puccini (3 credits)
Overview
Music History and Literature : Mozart's operas and the seria, buffa, and Singspiel traditions. Ottocento opera, grand opera, and cross-fertilization between France and Italy. German Romantic opera. Wagner. Eastern European opera. Verismo and fin-de-si猫cle opera in Vienna and Paris. Sociology of opera. Emphasis on critical understanding of music's role in articulating drama.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 388 Opera After 1900 (3 credits)
Overview
Music History and Literature : Major early twentieth-century works by Debussy, Strauss, Schreker, Bart贸k, Stravinsky and Schoenberg. Opera in Europe between the Wars including operas of Berg, Milhaud, Krenek, Hindemith and Weill. Politics, sociology, and literature in relationship to musical style. Approaches since 1945 in selected works by Britten, Henze, Zimmermann, Ligeti, Somers and Glass.
Terms: Winter 2017
Instructors: Barg, Lisa (Winter)
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MUHL 389 Orchestral Literature (3 credits)
Overview
Music History and Literature : Study of the literature for orchestra alone, composed since the early 18th Century. The material will be divided as follows: 1) orchestral music to the time of Beethoven; 2) orchestral music from 1800 to 1860; 3) orchestral music from 1860 to 1900; 4) orchestral music of the 20th Century.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 390 The German Lied (3 credits)
Overview
Music History and Literature : Survey of the German Lied from the late eighteenth to the early twentieth century, focusing on songs and song cycles by Schubert, Schumann, Brahms, Wolf, Mahler, Schoenberg, Berg, and Webern. Topics include text, musical form and text-music relationships, melodic style and harmonic organization, accompaniment, and performance practice.
Terms: Fall 2016
Instructors: Huebner, Steven (Fall)
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MUHL 391 Canadian Music (3 credits)
Overview
Music History and Literature : Survey of music in Canada from the 16th Century to the present. Current musical organizations and institutions, and contemporary Canadian music will be stressed. Time permitting, brief reference will be made to the folk music of indigenous and immigrant groups.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 392 Music since 1945 (3 credits)
Overview
Music History and Literature : Appearance and evolution of such post-war phenomena as total serialism, "chance" music of various kinds, and electronic music as seen in major figures such as Boulez, Stockhausen, Cage and others in Europe and the United States. Important developments during the 1960s. Rise of "minimalism" and "neo-Romanticism" during the 1970s and 80s.
Terms: Fall 2016
Instructors: Brackett, David (Fall)
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MUHL 396 Era of the Modern Piano (3 credits)
Overview
Music History and Literature : Survey of keyboard repertoire from 1850 to the present: instruments, the crisis at mid-century, character pieces, Brahms, late Liszt, national schools, commercialization - the concert hall, music for the bourgeois - salon music, Scriabin, the Second Viennese School, Impressionism, Neo-Classicism, Neo-Romanticism, serialism, the sonata in the 20th-century, North American composers.
Terms: Winter 2017
Instructors: Whitesell, Lloyd (Winter)
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MUHL 397 Choral Literature after 1750 (3 credits)
Overview
Music History and Literature : The development of sacred and secular choral music from 1750 to the present. Selected liturgical and secular works will be included; the Mass, the cantata, the oratorio and other genres. Form and stylistic considerations will be examined in representative works.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 398 Wind Ensemble Literature after 1750 (3 credits)
Overview
Music History and Literature : Study of wind ensemble music from Handel to Xenakis as it evolved under the influences of changing musical taste and technological advance. Topics include wind chamber music, music of the French Revolution, the 19th-century military band and the development of school, college and professional bands since 1900.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Group III
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MUHL 314 Women in Music: A Cross-Cultural Perspective (3 credits)
Overview
Music History and Literature : A cross-cultural exploration of women's musical achievements in various historical periods. Develops understanding of both music and the social, political, and cultural forces shaping it. Music includes: sacred, love songs, opera, contemporary instrumental composition, and improvised genres with study organized around topics like authorship, genius/virtuosity, voice, body, power and technology.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 330 Music and Film (3 credits)
Overview
Music History and Literature : The modern genre of music for films, and its changing styles (symphonic, jazz, pop compilation) from the silent era to today. Includes study of major film composers in North America and other traditions; analysis of the role of music in cinematic narrative, expression and symbolism.
Terms: Winter 2017
Instructors: Whitesell, Lloyd (Winter)
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MUHL 342 History of Electroacoustic Music (3 credits)
Overview
Music History and Literature : Investigation of the repertoire and techniques of electroacoustic music and the historical developments at important centres for research and creative activities. The roles of electronic and computer technologies in commercial and concert music are examined.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 362 Popular Music (3 credits)
Overview
Music History and Literature : History, criticism, and analysis of twentieth-century repertoires of popular musics. Detailed examination of special topics. These include genre and style in 1970s rock and soul, history of the Broadway musical, approaches to the transcription of pop music, and/or constructions of race and gender in music video.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 375 Introduction to Ethnomusicology (3 credits)
Overview
Music History and Literature : Central themes and methods in contemporary ethnomusicology. Music and its meanings in several contrasting cultural regions and groups. Topics include: colonialism, politics, globalization, and the impact of technology. Techniques of transcription, ethnography, and fieldwork.
Terms: Winter 2017
Instructors: Brackett, David (Winter)
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MUHL 393 History of Jazz (3 credits)
Overview
Music History and Literature : A study of the history and development of jazz through listening, reading, video viewing, lectures and discussion. The central goals will be to learn how to hear jazz critically and to understand the values, meanings, and sensibilities of jazz as a social practice.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUHL 529 Proseminar in Musicology (3 credits)
Overview
Music History and Literature : Study of selected methodologies in musicology through critical examination of significant texts. Topics may include approaches to historiography, biography, editing and source studies, as well as aesthetics, literary criticism, semiology, feminist musicology, and ideology critique. Works by Adler, Adorno, Dahlhaus, Kerman, McClary, Meyer, Nattiez, and Subotnik, among others, will be addressed.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
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MUTH 541 Topics in Popular Music Analysis (3 credits)
Overview
Music Theory and Analysis : Different approaches to the analysis of popular music. Issues of transcription, notation, analytical pertinence, aesthetics, hermeneutics, and semiotics will be explored through transcription exercises, readings, and analysis of selected recordings.
Terms: Fall 2016
Instructors: Brackett, David (Fall)
Required Courses (19 credits)
9 credits from Theory
4 credits from Musicianship
6 credits from Performance
Theory
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MUTH 250 Theory and Analysis 3 (3 credits)
Overview
Music Theory and Analysis : Compositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.
Terms: Fall 2016, Summer 2017
Instructors: Caplin, William Earl (Fall) Gioffredo, Myl猫ne; Willis, Laurence (Summer)
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MUTH 251 Theory and Analysis 4 (3 credits)
Overview
Music Theory and Analysis : Expanded harmonic resources of the 19th century (e.g., advanced chromaticism including enharmonic reinterpretation and symmetrical division). Analysis of characteristic small and large forms. Writing and analytical skills with a goal toward perceiving how levels of musical structure interact.
Terms: Winter 2017, Summer 2017
Instructors: Mariner, Justin B; Klorman, Edward (Winter) Klorman, Edward (Summer)
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MUTH 350 Theory and Analysis 5 (3 credits)
Overview
Music Theory and Analysis : Exploration of 20th and 21st century organizations of pitch, rhythm, timbre etc. Written and analytical skills for the purpose of gaining insight into the compositional techniques and aesthetics of this repertoire.
Terms: Winter 2017, Summer 2017
Instructors: Hasegawa, Robert (Winter) Hasegawa, Robert (Summer)
3 hours
Prerequisite: MUTH 251
Musicianship
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MUSP 240 Musicianship Training 3 (2 credits)
Overview
Musicianship : Rhythm and metre mixed divisions and two-part work; additional chordal voicings and pitch collections; melodies modulating to closely-related keys adding tenor clef; harmonic progression including applied chords; two-part keyboard-style passages.
Terms: Fall 2016, Winter 2017, Summer 2017
Instructors: Davidson, Thomas; Asly, Monica; Guzik, John W P (Fall) Asly, Monica (Winter) Asly, Monica (Summer)
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MUSP 241 Musicianship Training 4 (2 credits)
Overview
Musicianship : Changing metres; chord voicings and atonal pitch collections; modulating tonal melodies and score reading of transposing instruments; harmonic progression including chromatic chords; two-part passages.
Terms: Fall 2016, Winter 2017, Summer 2017
Instructors: Asly, Monica (Fall) Davidson, Thomas; Asly, Monica; Guzik, John W P (Winter) Asly, Monica (Summer)
Performance
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MUIN 280 BMus Practical Lessons 3 (3 credits)
Overview
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2016, Winter 2017
Instructors: Kolomyjec, Joanne; Box, James; Gaudreault, Jean; Zirbel, John; Aldrich, Simon; Desgagne, Alain; Levesque, Stephane; Gavrilova, Julia; Hashimoto, Kyoko; Laimon, Sara; Mdivani, Marina; Zuk, Luba; Bibace, Kenneth; Clayton, Greg; Bolduc, Remi; Di Lauro, Ronald; Grott, David; Hollins, Fraser; Lozano, Francisco J; Dolin, Elizabeth; Haimovitz, Matt; Antonio, Garry M W; Lambert, Fr茅d茅ric; Roy, Andre J; Roberts, Richard Allen; Rager, Joshua; Stevenson, Francois; Sullivan, Joseph Leo; White, Andre; Popescu, Maria; Karlicek, Martin; Wan, Andrew; Fewer, Mark; Dix, Trevor; Doxas, Dimitrios; Huang, Yai-Yun; Marandola, Fabrice; Hutchins, Timothy; McCann, Christopher; Jimenez, Carlos Alberto; Algie, Stephen; Purdy, Winston; Mahar, William V; Devuyst, Russell; Mangrum, Martin D; Baskin, Theodore; Freeman, Peter; Kestenberg, Abe; Couture, Jocelyn; Dean, Kevin; Johnston, Jeffrey E H; Ducharme, J茅r么me; Harboyan, Patil; Dyachkov, Yegor; Shuter, Cindy; Walkington, Alec; Laing, David; Lee, Ranee Y; Lambert, Michel; McNabney, Douglas; Manker, Brian; Turner, Dave; Poletaev, Ilya; Davidson, Thomas; Derome, Denys; Swartz, Jennifer; Eriksson, Erik; Dumouchel, Michael; Christie, Carolyn; Yazdanfar, Ali; Strauss, Axel; Mallette, Marcelle; Gossage, David Mark; Dobby, Timothy; Beaudry, Pierre; Knox, Hank; Azar, Andree; Amirault, Greg G; Robinson, Brian; Chappell, Eric; Trottier, Jean-Nicolas; Petersen, Katherine; Gauthier, Michael; Feltham, Scott O; Maute, Matthias; McLean, Allan Robert; Peletsis, Anna; Read, Alexander; Lemelin, St茅phane; Loftus, Gili; Dardykina, Tatiana; Johnson, Alexander David; Bourget, Daniele; Leclair, Jacqueline; Moye, Felicia; Labelle, Dominique; Bluteau, Denis; Hillis, Amy; Novak, Bohdanna; Plouffe, Helene; Dann, Steven Arthur; Kutan, Aline; Smith, Tracy; Hollenbeck, John; Tremblay, Lisanne; Pilc, Jean-Michel; Stoelzel, Richard; Mac Master, John D; Richer, Patrice; Kennedy, Donald Leyland; Dahlen, Sienna; Merkelo, Paul A; Leclair, Marie-; Von Eccher, Magdalena; Barry, Suren; Skinner, Elizabeth; Butler, Taurey; Bergeron, Sylvain (Fall) Strauss, Axel; Gaudreault, Jean; Mangrum, Martin D; McLean, Allan Robert; Christie, Carolyn; Laimon, Sara; Bibace, Kenneth; Roy, Andre J; Gavrilova, Julia; Mdivani, Marina; MacMillan, Elizabeth H; Ducharme, J茅r么me (Winter)
Prerequisite: MUIN 181 or admission to the B.Mus. program by audition.
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MUIN 281 BMus Practical Lessons 4 (3 credits)
Overview
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2016, Winter 2017
Instructors: Jimenez, Carlos Alberto; Knox, Hank; Haimovitz, Matt; Davidson, Thomas; McCann, Christopher; Popescu, Maria; Lozano, Francisco J; Krowicki, Marek; Mallette, Marcelle; Walkington, Alec; Hollins, Fraser; Manker, Brian; Karlicek, Martin; Mdivani, Marina; Algie, Stephen; Mac Master, John D (Fall) Doxas, Dimitrios; Hutchins, Timothy; McCann, Christopher; Jimenez, Carlos Alberto; Algie, Stephen; Purdy, Winston; Mahar, William V; Devuyst, Russell; Mangrum, Martin D; Baskin, Theodore; Freeman, Peter; Kestenberg, Abe; Amirault, Steve; Couture, Jocelyn; Dean, Kevin; Johnston, Jeffrey E H; Ducharme, J茅r么me; Harboyan, Patil; Dyachkov, Yegor; Shuter, Cindy; Walkington, Alec; Laing, David; Lee, Ranee Y; Lambert, Michel; McNabney, Douglas; Manker, Brian; Roy, Andre J; Turner, Dave; Poletaev, Ilya; Davidson, Thomas; Derome, Denys; Swartz, Jennifer; Eriksson, Erik; Dumouchel, Michael; Christie, Carolyn; Yazdanfar, Ali; Strauss, Axel; Mallette, Marcelle; Gossage, David Mark; Dobby, Timothy; Beaudry, Pierre; Knox, Hank; Azar, Andree; Amirault, Greg G; Robinson, Brian; Chappell, Eric; Trottier, Jean-Nicolas; Petersen, Katherine; Gauthier, Michael; Feltham, Scott O; Maute, Matthias; McLean, Allan Robert; Peletsis, Anna; Read, Alexander; Lemelin, St茅phane; Dardykina, Tatiana; Johnson, Alexander David; Bourget, Daniele; Leclair, Jacqueline; Moye, Felicia; Labelle, Dominique; Bluteau, Denis; Hillis, Amy; Novak, Bohdanna; Plouffe, Helene; Dann, Steven Arthur; Kutan, Aline; Smith, Tracy; Hollenbeck, John; Pilc, Jean-Michel; Tremblay, Lisanne; Kolomyjec, Joanne; Box, James; Gaudreault, Jean; Zirbel, John; Aldrich, Simon; Desgagne, Alain; Forget, Normand; Levesque, Stephane; Gavrilova, Julia; Hashimoto, Kyoko; Laimon, Sara; Mdivani, Marina; Zuk, Luba; Bibace, Kenneth; Clayton, Greg; Bolduc, Remi; Di Lauro, Ronald; Grott, David; Hollins, Fraser; Lozano, Francisco J; Dolin, Elizabeth; Haimovitz, Matt; Antonio, Garry M W; Lambert, Fr茅d茅ric; Roberts, Richard Allen; Rager, Joshua; Stevenson, Francois; Sullivan, Joseph Leo; White, Andre; Popescu, Maria; Karlicek, Martin; Wan, Andrew; Fewer, Mark; Dix, Trevor; Stoelzel, Richard; Mac Master, John D; Richer, Patrice; Bourassa, Francois; Kennedy, Donald Leyland; Merkelo, Paul A; Leclair, Marie-; Von Eccher, Magdalena; Barry, Suren; Skinner, Elizabeth; Butler, Taurey; Bergeron, Sylvain; Suh, Min Jung; Huang, Yai-Yun; Marandola, Fabrice (Winter)
Prerequisite: MUIN 280
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MUIN 283 BMus Concentration Final Examination
Overview
Practical Instrument : Assessment of student's progress in the practical area.
Terms: Fall 2016, Winter 2017
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.
Complementary Courses (9 credits)
3 credits from Theory
2 credits from Musicianship
4 credits from Performance
Theory
3 credits of MUTH courses at the 200 or 300 level.
Musicianship
2 credits from:
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MUSP 324 Musicianship for Strings (2 credits)
Overview
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for strings.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Pre- or Co-requisite: MUSP 241
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MUSP 330 Musicianship for Woodwinds (2 credits)
Overview
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for woodwinds.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Prerequisite: MUSP 241
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MUSP 335 Musicianship for Brass (2 credits)
Overview
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for brass.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Prerequisite: MUSP 241
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MUSP 346 Post-Tonal Musicianship (2 credits)
Overview
Musicianship : Extended tonal and post-tonal harmonic and contrapuntal structures, rhythmic practices of the 20th and 21st century, score reading.
Terms: Fall 2016, Winter 2017, Summer 2017
Instructors: Davidson, Thomas; Mather, Pierrette; Asly, Monica (Fall) Mather, Pierrette; Mariner, Justin B (Winter) Mariner, Justin B (Summer)
Prerequisite: MUSP 241
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MUSP 350 Musicianship for Pianists (2 credits)
Overview
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on sight-reading, practical score analysis and focused learning methods.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Prerequisite: MUSP 241
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MUSP 353 Musicianship for Voice (2 credits)
Overview
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, voice-leading and sound texture.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Prerequisite: MUSP 141
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MUSP 354 Introduction to Improvisation and Ornamentation (2 credits)
Overview
Musicianship : Principles of improvisation and ornamentation for music before 1800, including harmonic progressions and voice-leading and contrapuntal patterns for instrumentalists and singers, along with examples of ornamented vocal and instrumental works from 17th and 18th century sources.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Prerequisite: MUSP 241
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MUSP 355 Musicianship for Percussion (2 credits)
Overview
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on polyrhythm.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Prerequisite: MUSP 241
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MUSP 381 Singing Renaissance Notation (2 credits)
Overview
Musicianship : Choral sightsinging of mensural notation, with a focus on white notation c. 1420-1600. Development of basic fluency in the notation, interpretation of values in triple meter, addition of accidentals given the contrapuntal context as perceived aurally, Renaissance solmisation.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
Prerequisite: MUSP 241
Performance
Basic Ensemble
4 credits from:
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MUEN 563 Jazz Vocal Workshop (2 credits)
Overview
Ensemble : Vocal workshop for jazz musicians.
Terms: Fall 2016, Winter 2017
Instructors: Novak, Bohdanna (Fall) Novak, Bohdanna (Winter)
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MUEN 572 Cappella Antica (2 credits)
Overview
Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.
Terms: Fall 2016, Winter 2017
Instructors: Kinslow, Valerie (Fall) Kinslow, Valerie (Winter)
4 hours
Prerequisite: Audition.
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MUEN 573 Baroque Orchestra (2 credits)
Overview
Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.
Terms: Fall 2016, Winter 2017
Instructors: Knox, Hank (Fall) Knox, Hank (Winter)
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MUEN 587 Cappella 平特五不中 (2 credits)
Overview
Ensemble : An ensemble of 16 voices performing challenging repertoire from the Renaissance to the present day. Since the expectation is a level of performance equivalent to a professional chamber ensemble, singers wishing to join this group should have had considerable ensemble experience, and advanced vocal and sight-reading skills.
Terms: This course is not scheduled for the 2016-2017 academic year.
Instructors: There are no professors associated with this course for the 2016-2017 academic year.
4 hours
Prerequisite: Audition.
Note: May be taken instead of Choral Ensemble.
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MUEN 590 平特五不中 Wind Orchestra (2 credits)
Overview
Ensemble : Large ensemble for wind instruments.
Terms: Fall 2016, Winter 2017
Instructors: Cazes, Alain (Fall) Cazes, Alain (Winter)
4-6 hours
Prerequisite: Audition
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MUEN 592 Chamber Jazz Ensemble (2 credits)
Overview
Ensemble : This ensemble will deal with the extensive repertoire of music which exists for small jazz orchestra (9-13 instruments).
Terms: Fall 2016, Winter 2017
Instructors: Trottier, Jean-Nicolas (Fall) Trottier, Jean-Nicolas (Winter)
Restriction: Open to Jazz Performance students only.
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MUEN 593 Choral Ensembles (2 credits)
Overview
Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.
Terms: Fall 2016, Winter 2017
Instructors: Vall茅e, Jean-S茅bastien (Fall) Vall茅e, Jean-S茅bastien (Winter)
4 hours
Prerequisite: Audition.
Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.
Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.
Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.
Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.
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MUEN 594 Contemporary Music Ensemble (2 credits)
Overview
Ensemble : Ensemble for contemporary music - instruments and voice.
Terms: Fall 2016, Winter 2017
Instructors: Bourgogne, Guillaume (Fall) Bourgogne, Guillaume (Winter)
4 hours
Prerequisite: Audition.
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MUEN 595 Jazz Ensembles (2 credits)
Overview
Ensemble : Ensemble for jazz - instruments and voice.
Terms: Fall 2016, Winter 2017
Instructors: Sullivan, Joseph Leo; Jimenez, Carlos Alberto; Di Lauro, Ronald; Mahar, William V (Fall) Sullivan, Joseph Leo; Mahar, William V; Jimenez, Carlos Alberto; Di Lauro, Ronald (Winter)
3-4 hours
Prerequisite: Audition.
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MUEN 597 平特五不中 Symphony Orchestra (2 credits)
Overview
Ensemble : Ensemble for orchestral instruments.
Terms: Fall 2016, Winter 2017
Instructors: Hauser, Rudolf-Alexius (Fall) Hauser, Rudolf-Alexius (Winter)
6 - 7 hours
Prerequisite: Audition.
Non-Music Electives (9 credits)
Free Electives (24 credits)
Schulich School of Music—2016-2017 (last updated Dec. 12, 2016) (disclaimer)