Caroline Palmer
Professor
Distinguished James ƽÌØÎå²»ÖÐ Professor in Cognitive Neuroscience of Performance
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Contact Information:
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Office: 2001 ƽÌØÎå²»ÖÐ College, Room 652
Phone: 514.398.6128
Email: caroline.palmer[at]mcgill.ca
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Mailing Address:
Department of Psychology
2001 ƽÌØÎå²»ÖÐ College Avenue
7th Floor
Montreal, QC
H3A 1G1
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![Caroline Palmer Caroline Palmer](/psychology/files/psychology/styles/medium_focal__220_x_220_/public/palmer.jpg?itok=8bgD6V2e)
Dr. Palmer is the Director of the NSERC-CREATE training grant in ComplexÌýDynamics; an Associate Member of the Schulich School of Music; and aÌýFellow of the Royal Society of Canada.
Research Areas:
Cognition & Cognitive NeuroscienceÌý| Behavioral Neuroscience
Research Summary:
From cradle to grave, people across all documented societies use musicÌýto soothe, to invigorate, to bond with others, and even toÌýself-medicate. My research program focuses on how and why music moves usÌýby studying how people make music, from simple rhythms to complexÌýensemble performances. Music, speech, and other auditory behaviorsÌýengage attention, intention, memory, motor control, and emotions. MyÌýresearch focuses on the time course of these processes. One themeÌýaddresses the nonlinear dynamics underlying the production of auditoryÌýsequences. Speech, music, and other human sounds follow predictableÌýpatterns or rhythmic regularities that can be modeled in terms ofÌýoscillations. We apply principles of nonlinear dynamics to understandÌýhow people move in response to sound (such as clapping or tapping theirÌýfeet) and how they act in response to a partner in a joint task (such asÌýmusical ensemble). A second theme addresses the temporal coordinationÌýthat underlies skilled performance, and properties of goal-directedÌýmovement that allow individuals to synchronize their actions withÌýsensory feedback and with other individuals. See our lab website forÌýmore information.
Selected References:
Scheurich, R., Demos, A., Zamm, A., Mathias, B., & Palmer, C. (2019).ÌýCapturing intra- and inter-brain dynamics with recurrence quantificationÌýanalysis. In A.K. Goel, C.M. Seifert, & C. Freksa (Eds.), Proceedings ofÌýthe 41st Annual Meeting of the Cognitive Science Society (pp.Ìý2748-2754). Montreal, QC: Cognitive Science Society.
Palmer, C. (2019). A postdoc is not the only career option for newÌýPsychology PhDs. Presented at the WiCS-Canada meeting, Waterloo ON,ÌýJune.
Lagrois, M.-E., Palmer, C., & Peretz, I. (2019). Poor synchronization toÌýmusical beat generalizes to speech. Brain Sciences, 9, 1-20.Ìýdoi:10.3390/brainsci9070157
Demos, A.P., Layeghi, H., Wanderley, M.M., & Palmer, C. (2019). StayingÌýtogether: A bidirectional delay-coupled approach to joint action.ÌýCognitive Science, 43. doi: 10.1111/cogs.12766
Schultz, B.G., & Palmer, C. (2019). The roles of musical expertise andÌýsensory feedback in beat keeping and joint action. PsychologicalÌýResearch, 83(3), 419–431. doi: 10.1007/s00426-019-01156-8
Mathias, B., Gehring, W.J., & Palmer, C. (2019). Electrical brainÌýresponses reveal sequential constraints on planning during musicÌýperformance. Brain Sciences, 9, 25. doi:10.3390/brainsci9020025
Palmer, C., Spidle, F., Koopmans, E., Schubert, P. (2019). Ears, headÌýand eyes: When singers synchronize. Quarterly Journal of ExperimentalÌýPsychology, 72(9), 2272-2287. doi:10.1177/1747021819833968