Henry James鈥檚 鈥淥bscure Hurt鈥� - Chronic Pain as Figurative Being
Le Centre sur les droits de la personne et le pluralisme juridique vous convie 脿 un conf茅rence du cycle Handicap et droits de la personne avec (University of Houston),聽 un po猫te et un universitaire 茅tudiant la litt茅rature am茅ricaine et la th茅orie sur les personnes handicap茅es. Il nous parlera du romancier Henri James, qui a longtemps souffert de douleur chronique.
搁茅蝉耻尘茅
[En anglais seulement] When it comes to Henry James鈥檚 ordeal of chronic pain, critics have either minimized it or treated it as an open secret in chiastic relation to the privative subject of his sexuality. No matter the interpretive tack, these efforts have been uniformly drawn聽to what聽James鈥檚 1914 autobiography,聽Notes of a Son and Brother,聽indelibly, infamously denominates an 鈥渙bscure hurt鈥� sustained by an adolescent James in the already over-determined days leading up to the Civil War.
The estimable challenge of recovering the terms of this formulation from the further obscurity of James鈥檚 later, mystifying account of it has led critics to understand the former as a synecdochal black box of sorts for those elements in James鈥檚 life least responsive to conventional scrutiny. James and his autobiographical record of the event聽continue accordingly to be treated as though they were not only unable, but also practically unwilling to yield some more legible kernel of meaning, giving way instead - if at all - to only聽a further sense of the inaccessible.
Inappreciable as the difference may聽seem, these pages redirect our attention away from the historical injury that聽Notes of a Son and Brother聽putatively chronicles聽to the lush complexities, all those decades later, of the latter鈥檚 late style. In doing so, it follows James鈥檚 own lead in softening the hard line conventionally drawn between actual and textual phenomenality, tracing those moments in James鈥檚 writing where the impactful convergence of these otherwise incommensurable phenomenal fields聽shares a repertoire, an aesthetic principle, with the queerness of chronic pain as a distinctly figurative event.
Le conf茅rencier
[En anglais seulement] Michael D. Snediker teaches courses in early American Literature, Transcendentalism, Henry James, Modernism, Poetics, Queer Theory, Disability Theory, and Aesthetics.
He is the author of Queer Optimism: Lyric Personhood and other Felicitous Persuasions (U.Minnesota Press, 2009), which was nominated for the MLA First Book Prize, the Alan Bray Prize, and Phi Beta Kappa's Christian Gauss Prize. His second critical book, a reading of disability theory and aesthetics across the very long American 19th century, is titled Contingent Figure: Aesthetic Duress from Nathaniel Hawthorne to Eve Kosofsky Sedgwick (under contract, U. Minnesota Press).
He's also a published poet who has been a resident at both the James Merrill House (Stonington, CT) and Yaddo (Saratoga Springs, NY). His most recent book of poems, the Apartment of Tragic Appliances, was published in 2013 by Punctum Books. His next book of poetry, The New York Editions, is a translation of Henry James's novels into lyric poems.
